Detective Max found himself deeply inhaling the scent of turpentine and lingering anxiety as he stepped into the villa. The late afternoon sun was slanting, casting long skeletal shadows from the easels and half-finished canvases that littered the vast studio. The victim, the renowned artist Julian Moreau, lay sprawled in his vibrating chaos, a single precise stab wound marring the otherwise pristine canvas of his chest. He clutched a paintbrush, perhaps a final act of defiance or a desperate attempt to identify his killer. “Elegant, isn’t it?” Detective Max muttered to himself while his partner, Sergeant Petrov, was busy photographing the scene. The scene was both elegant and brutal. Moreau’s art reflected his life—full of passion, risk, and a passion for the extravagant. Three people were present when the body was discovered: Moreau’s long-suffering wife, Isabelle, a woman sculpted by pain and expensive tailoring; his ambitious protégé, Damien, a young man with hungry eyes and nervou...
Human thoughts out loud